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Brûle parfum

Price €185.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Vase boule

Price €190.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Vase

Price €240.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

vase bouteille

Price €220.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Vase bouteille

Price €195.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Bouteille cornue

Price €195.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Vase boule

Price €260.00
Availability: 1 In Stock

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Paysages Approximatifs, Séville

Price €120.00
Availability: 1 In Stock

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

      

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...