Reference:
Citron, Mugwort, Copahu, Liquorice, Patchouli, Cade, Ambergris, Myrrh, Styrax.
This almost vampiric nocturnal creature emerges on the social scene where she brings a scent of novelty. By candlelight, La Castiglione eau de parfum evokes a lusty, sooty commotion. bewitching patchouli, libidinous copaïba, elegant cade and caressing ambergris.
A fragrance with a dark vapour trail.
Citron, Mugwort, Copahu, Liquorice, Patchouli, Cade, Ambergris, Myrrh, Styrax.
This almost vampiric nocturnal creature emerges on the social scene where she brings a scent of novelty. By candlelight, La Castiglione eau de parfum evokes a lusty, sooty commotion. bewitching patchouli, libidinous copaïba, elegant cade and caressing ambergris.
A fragrance with a dark vapour trail.
Our leathers come from a prestigious French tannery dating back to the 16th century and each item is handcrafted.
The "CACHOU" shade is produced by mineral tanning, vegetable retanned.
A collection of luxury leather goods for Men / Women.
Glasses holder
Neck size: 90cm
Pocket dimension: 17x9 cm
The new ager explores a new religiosity that appeared in the 20th century.
A spirituality centered on the “mystical self” and inspired by different influences.
This quest reveals a cosmic patchouli with jasmine and incensed essences of a divine nature.
Spray 8.45fl.oz
To create a personal sanctuary at home symbolizes a sacred place, one where one carries intentions with powerful and beneficent energies.
This white sage stick with relaxing and antiseptic virtues burns it to purify the environment and the mind or during a meditation session.
Tips for use:
Light the end of the stick with a match or candle and let burn for 5 to 6 seconds. Fan the smoke by gently blowing on the combustion, let it spread by placing the sage stick in a cup. Don’t try to turn off the smudge that goes out on its own.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
The scented wax melter is placed in the cup of a perfume burner, above a candle.
By heating, the wax diffuses an incense scent composed of bakhoor, olibanum and storax for about 8 hours. Keep out of reach of children, do not swallow. 100% vegetable soy wax, 5 units.
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULTE is an all-over spray for the body but also to create an atmosphere around you.
Spray 8.45fl.oz
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
Natural amazonite and agate stones
Duo of adjustable bracelets
Here at 20 RUE JACOB, hides a secret place in the heart of St Germain des Prés.
American Natalie Clifford Barney's literary salon is named after
"Temple of Friendship". For more than 60 years this place welcomes the finest minds in a neoclassical decor. The "Amazon" show will remain one of the last so influential. Jardins d´écrivains permeates the intensity of this story to compose the fragrance
of a Parisian spring.
In a case of amber patchouli, a radiant bergamot is combined with the delicate palmarosa.
The dragon tree of Socatra produces a legendary resin called Dragon's Blood.
A soothing incense with earthy and woody notes. This indoor spray is ideal for sanctifying the atmosphere conducive to the practice of meditation and yoga. 50ml / 1,6907 Fl.Oz
Charles Perrault 1628/1703
A magical and surreal perfume with the chroma color of time, sprinkled with flour. Beneath a suave and animal skin reveals a phosphorescent heart. Supernatural elements exhales a kind of an anchronistic and enchanting tale.
Jardins d'écrivains embodies the spirit of the "Pléiade" with a line of perfumes in their vegetable-tanned leather cases.
GIGI, the famous heroine of Colette invites us to Paris 1900. Young beautiful, mischievous, she seduces with her simplicity, her carelessness and her frankness.
To celebrate it, Jardins D'Écrivains imagines a theme of bright and fruity white flowers.
Rosewood, Bergamot, Litchee, Belle de nuit, Ylang Ylang, Rose, cotton flower, lichen.
Like a fierce hetaira, she stands out in a sort of lupanar that turned out to become the opera of Paris. Melle Cléo eau de parfum is a sort of olfactory choreography with unpredictable variations : Botticellian rosewood, night blooming cereus worthy of Asparas and cotton-flower for the most angelic Cocotte.
The SNOBBISH candle praises noble materials by dressing in a stone-coloured vegetable-tanned leather and revealing an atmosphere of curiosity. The opulence of osmanthus harmonizes with the notes of musk tonkin.
Once the candle has been used up, the leather ganized glass becomes an object such as a pot cache, a cosmetic jar or a pencil pot, depending on the inspiration;)
100% vegetable soy wax, 285G.
Neroli, Pepper, Wormwood, Fig, Ginger, Violet, Musk, Buchu, Lavender, Narcissus, Iris, Incense, Sandalwood.
The Cocotte’s life seems to be inspired by a novel. She dedicates her existence to excess and freedom. La Belle Otero eau de parfum is an invitation to misbehave : licentious pepper, illicit absinthe, covetous violet and concupiscent sandalwood. Its evolution leaves a certain delectation on the skin.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
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