Reference:
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULT is an all-over spray for the body but also to create an atmosphere around you.
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULT is an all-over spray for the body but also to create an atmosphere around you.
Chapel Factory celebrates the spirit of Christmas with its new FULL EPICEA candle.
A no-frills fragrance to pay homage to the majestic allure of the large mountain fir, in an authentic version.
100% vegetable soy wax, 250G.
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
Natural amazonite and agate stones
Duo of adjustable bracelets
Romain Gary achieved a literary subterfuge when he created Emile Ajar.
Anonymity was his chance to reinvent himself,
and to become manifold.
Ajar is a chameleon-like fragrance that speaks of incarnation. Dark incense meets dazzling orchid.
A union as ambivalent and complex as human nature itself. The light and shade within us all.
The Castle Farm is an invitation to vegetable fragrances. Pear and rhubarb are wrapped in tomato leaves. An ideal atmosphere for the kitchen and dining room.
Epicurus (342 BC JC-270 BC), Greek philosopher.
The garden is the philosophical school open to men, women and slaves founded by Epicurus. A minimalist perfume with notes of licorice macerated with apothecary plants.
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Medal:
Diameter: 2.5cm
Weight: 10,57g
Ribbon 70cm
Absolute luxury since the history of perfume.
The nard is harvested in Bhutan and in the Himalayan mountains in order to extract its elegant sweetness. Legendary by its
occurrences in The Song of Songs. NARD INTEGRAL is an «all over» spray for the body but also to create an atmosphere around oneself in a holistic and Ayurvedic approach.
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