La Belle Otero - Eau De Parfum Pour Femme

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

The SNOBBISH candle praises noble materials by dressing in a stone-coloured vegetable-tanned leather and revealing an atmosphere of curiosity. The opulence of osmanthus harmonizes with the notes of musk tonkin.

Once the candle has been used up, the leather ganized glass becomes an object such as a pot cache, a cosmetic jar or a pencil pot, depending on the inspiration;)

100% vegetable soy wax, 285G. 

Epicurus (342 BC JC-270 BC), Greek philosopher.
The garden is the philosophical school open to men, women and slaves founded by Epicurus. A minimalist perfume with notes of licorice macerated with apothecary plants.

Adjustable choker

40 to 46cm

Natural amazonite stones

L’EAU D’EPINE (Thorn water) is a flayed perfume.

A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.

The symbolism of a wild nature apprehended by humans in search of virtues.

Here at 20 RUE JACOB, hides a secret place in the heart of St Germain des Prés.

 American Natalie Clifford Barney's literary salon is named after

"Temple of Friendship". For more than 60 years this place welcomes the finest minds in a neoclassical decor. The "Amazon" show will remain one of the last so influential. Jardins d´écrivains permeates the intensity of this story to compose the fragrance

of a Parisian spring.

In a case of amber patchouli, a radiant bergamot is combined with the delicate palmarosa.

This nocturnal, vampire-like creature has burst upon the social scene, where she brings a fragrance of newness.
She is perfectly beautiful with a boldness that makers her fashionable.
La Castiglione has odd manners. She doesn’t make conversation, babble or dance, for she wants to be an almost silent divinity, like a statue, an effigy. A photographic word about the role

Medal:

Diameter: 2.5cm

Weight: 11,02 g

Ribbon 70cm

Here at 20 RUE JACOB, hides a secret place in the heart of St Germain des Prés.

 American Natalie Clifford Barney's literary salon is named after

"Temple of Friendship". For more than 60 years this place welcomes the finest minds in a neoclassical decor. The "Amazon" show will remain one of the last so influential. Jardins d´écrivains permeates the intensity of this story to compose the fragrance

of a Parisian spring.

In a case of amber patchouli, a radiant bergamot is combined with the delicate palmarosa.

Here at 20 RUE JACOB, hides a secret place in the heart of St Germain des Prés.

 American Natalie Clifford Barney's literary salon is named after

"Temple of Friendship". For more than 60 years this place welcomes the finest minds in a neoclassical decor. The "Amazon" show will remain one of the last so influential. Jardins d´écrivains permeates the intensity of this story to compose the fragrance

of a Parisian spring.

In a case of amber patchouli, a radiant bergamot is combined with the delicate palmarosa.

Cardamom, Bergamot, Violet, Jasmine, Gurjum, Amber, Oakmoss, Vetiver.

Nothing is too for this exquisite extravagant lady and her wonderful taste. Cora Pearl Eau de Parfum evokes the allure of a warm-blooded horsewoman who leaves chypre notes in her path. Its femininity expressed by balsam flowers characterizes its power of seduction.

A magical and surreal perfume with the chroma color of time, sprinkled with flour. Beneath a suave and animal skin reveals a phosphorescent heart. Supernatural elements exhales a kind of an anchronistic and enchanting tale.

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.