Reference:
Rosewood, Bergamot, Violet, Rose, Grapefruit, Honey, Musk, Ambergris.
Immortalized in literature, her dazzling fate leaves the memory of one of the most beautiful women in Paris. La Dame aux Camélias eau de parfum augurs floral and citrus notes then caresses the skin of lovers of honeyed musk.
Rosewood, Bergamot, Violet, Rose, Grapefruit, Honey, Musk, Ambergris.
Immortalized in literature, her dazzling fate leaves the memory of one of the most beautiful women in Paris. La Dame aux Camélias eau de parfum augurs floral and citrus notes then caresses the skin of lovers of honeyed musk.
The Castle Farm is an invitation to vegetable fragrances. Pear and rhubarb are wrapped in tomato leaves. An ideal atmosphere for the kitchen and dining room.
Romain Gary achieved a literary subterfuge when he created Emile Ajar.
Anonymity was his chance to reinvent himself,
and to become manifold.
Ajar is a chameleon-like fragrance that speaks of incarnation. Dark incense meets dazzling orchid.
A union as ambivalent and complex as human nature itself. The light and shade within us all.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
The new ager explores a new religiosity that appeared in the 20th century.
A spirituality centered on the “mystical self” and inspired by different influences.
This quest reveals a cosmic patchouli with jasmine and incensed essences of a divine nature.
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
William Burroughs is considered the most
and the most daring of the authors of the
«Beat Generation». Junky describes his extreme experiences and inspires an addictive fragrance. The fragrance has the power of awaken the senses and it is a precise mechanism that operates in a freshness of cannabis and precious wood.
Chapel Factory celebrates the spirit of Christmas with its new FULL EPICEA candle.
A no-frills fragrance to pay homage to the majestic allure of the large mountain fir, in an authentic version.
100% vegetable soy wax, 250G.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULTE is an all-over spray for the body but also to create an atmosphere around you.
Spray 8.45fl.oz
Nothing could be more picaresque than the life of “La Belle Otero”, singing, dancing, jumping on a table ! The beautiful gypsy has an insatiable nature. The queen of elegance frequented kings from Paris to Monte Carlo. She was the most ruthless courtesan of the Belle Époque. She devoted her life to dancing, men, precious stones, gambling and above all freedom.
The destiny of this Englishwoman who arrived in Paris to accomplish an ambitious ascent will prove to be sumptuous. At its peak, nothing is too good for this sublime extravagant taste. Lady of the manor, Cora Pearl bathes in the aristocracy and in her bathtub of champagne. The whole of Paris recounts its escapades and its fantasies.
Cardamom, Bergamot, Violet, Jasmine, Gurjum, Amber, Oakmoss, Vetiver.
Nothing is too for this exquisite extravagant lady and her wonderful taste. Cora Pearl Eau de Parfum evokes the allure of a warm-blooded horsewoman who leaves chypre notes in her path. Its femininity expressed by balsam flowers characterizes its power of seduction.
Jardins D’Écrivains took inspiration from Oscar Wilde’s famous aphorisms to express an olfactive figure of speech. Words, like fragrances, have the power to reveal reality. WILDE eau de parfum is for aethetes who are striving to become what they are.
«So that man thought that the important thing was to have, and did not know that the important thing is to be.» Oscar Wilde
Charles Dickens (1812-1870) English writers.
An interior fragrance inspired by the world of this famous novelist of the Victorian era. Spruce and mandarin mingle with the notes of a refined oud.
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