Reference:
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
17 cm high
24 cm diameter
single piece
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
This nocturnal, vampire-like creature has burst upon the social scene, where she brings a fragrance of newness.
She is perfectly beautiful with a boldness that makers her fashionable.
La Castiglione has odd manners. She doesn’t make conversation, babble or dance, for she wants to be an almost silent divinity, like a statue, an effigy. A photographic word about the role
Harmony, classicism and style are the values Cléo de Merode acquired at the Paris opera. But her controlled appearance conceals a more ambiguous nature. Like a fierce hetaira, she stands out in a sort of brothel that has become the foyer of the ballet school.
She was considered the world’s most beautiful woman in 1896. An absolute star, she captured her contemporarie's imagination.
Nothing could be more picaresque than the life of “La Belle Otero”, singing, dancing, jumping on a table ! The beautiful gypsy has an insatiable nature. The queen of elegance frequented kings from Paris to Monte Carlo. She was the most ruthless courtesan of the Belle Époque. She devoted her life to dancing, men, precious stones, gambling and above all freedom.
Jardins d'écrivains embodies the spirit of "La Pléiade" with a line of perfumes in their vegetable-tanned leather cases.
In the freshness of a Mudéjar patio appears the memory of a Sevillian poet embodying the golden age.
A scent of green oranges and mint gracefully wafts through the air.
The rustling of the musky sour orange leaves augurs a radiant and distinguished Andalusian spirit.
A Monkey In Winter captures the atmosphere of a wild beach located between sea and forest.
The spray rubs shoulders with the lichen and ferns.
Christopher Marlowe is the genius bad boy of the Elizabethan theatre. Handsome, alcoholic, gay, occultist and spy.
A dense, heady, animal and theatrical fragrance. From the first notes, the poisonous nectar of tuberose mingles with the opulence of osmanthus. The old-fashioned heart of dried flowers evokes a tragic poetry. The base reveals notes of chypre and powdery leather.
The destiny of this English woman who arrived in Paris to accomplish an ambitious ascent will prove to be sumptuous. At its peak, nothing is too good for this sublime extravagant taste. Lady of the manor, Cora Pearl bathes in the aristocracy and in her bathtub of champagne. The whole of Paris recounts its escapades and its fantasies.
The SNOBBISH candle praises noble materials by dressing in an empire-coloured vegetable-tanned leather and revealing a scent of English moors.
Transported in an air full of heather subtly smoked of incense.
The SNOBBISH candle praises noble materials by dressing in hide-coloured vegetable-tanned leather and revealing an ultra-chic fragrance.
The leathery notes are wrapped in a subtle cashmere wood creating a racy and refined atmosphere.
Once the candle has been used up, the leather ganized glass becomes an object such as a pot cache, a cosmetic jar or a pencil pot, depending on the inspiration;)
100% vegetable soy wax, 285G.
The new ager explores a new religiosity that appeared in the 20th century.
A spirituality centered on the “mystical self” and inspired by different influences.
This quest reveals a cosmic patchouli with jasmine and incensed essences of a divine nature.
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULTE is an all-over spray for the body but also to create an atmosphere around you.
Spray 8.45fl.oz
Natural amazonite and agate stones
Duo of adjustable bracelets
GIGI, the famous heroine of Colette invites us to Paris 1900. Young beautiful, mischievous, she seduces with her simplicity anf her carelessness.
To celebrate it, Jardins D’Écrivains imagines a theme of bright and fruity white flowers.
«the most indispensable of superflus»
The Manor exudes a cosy atmosphere with Anglo-Norman charm.
A smoking Earl Grey mingles with the fireplace on an antique rose background.
George Sand was the most modern woman of the romantic age. Jardins D’Écrivains based its first fragrance, GEORGE, on her extraordinary life. An intense olfactory signature announces the marriage between spellbinding notes cypress notes foreshadow a dazzling temperament.
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