BANGALORE
Adjustable choker
40 to 46cm
Natural amazonite stones
Reference:
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
17 cm high
24 cm diameter
single piece
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Adjustable choker
40 to 46cm
Natural amazonite stones
To create a personal sanctuary at home symbolizes a sacred place, one where one carries intentions with powerful and beneficent energies.
This white sage stick with relaxing and antiseptic virtues burns it to purify the environment and the mind or during a meditation session.
Tips for use:
Light the end of the stick with a match or candle and let burn for 5 to 6 seconds. Fan the smoke by gently blowing on the combustion, let it spread by placing the sage stick in a cup. Don’t try to turn off the smudge that goes out on its own.
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
The Tarology Pao consultation combines a tarot practice inspired by the New Orleans method, with other therapeutic tools, to maximize psychological well-being and emotional balance.
A first phase of the consultation allows you to lay down together the bases of a common language around the tarot, in order to immerse yourself in this fabulous tool that is the Rider Waite tarot.
An opening then makes it possible to confront the energies in progress in the life of the consultant, to understand them, name them and analyze them in order to grasp the message of the tarot.
Finally, the exploration of a theme makes it possible to analyze in depth the professional life, or the love life of the consultant, unless he prefers to carry out a drawing around the guidance.
It is then a real check-up making it possible to identify the strengths and weaknesses, to visualize the path traveled, the paths to follow, and the life advice of the tarot in order to become the best version of oneself. possible, in a life that suits you.
This last phase also gives the consultant the opportunity to ask certain questions on which he feels the need to be referred, with kindness.
The entire consultation, lasting about an hour and a quarter, restores strength and appeasement to the consultant, who feels greater clarity about his situation, and easily geolocates his emotions. Re-empowered on his ability to concretize his definition of happiness, he reappropriates his strength and discovers the keys that will allow him to work on his fears or traumas.
A complete consultation, to refocus on the essential, and identify with serenity, the path to be taken to achieve your objectives.
80€
Following the purchase of a consultation, you are contacted by email within 24 hours to arrange a phone meeting.
The SNOBBISH candle praises noble materials by dressing in turquoise vegetable tanned leather and revealing an ultra chic fragrance.
Notes of bitter almonds reveal a delicious and unique character.
Once the candle is used up, the leather-trimmed glass becomes an object such as a cache pot, a cosmetic jar or a pencil holder, depending on your inspiration;)
100% vegetable soy wax, 285G.
Christopher Marlowe is the genius bad boy of the Elizabethan theatre. Handsome, alcoholic, gay, occultist and spy.
A dense, heady, animal and theatrical fragrance. From the first notes, the poisonous nectar of tuberose mingles with the opulence of osmanthus. The old-fashioned heart of dried flowers evokes a tragic poetry. The base reveals notes of chypre and powdery leather.
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
Fred Fou, Photographer.
Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).
I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.
This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».
The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image.
Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.
To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Jardins d’Ecrivains puts its own interpretation on the fascinating Virginia Woolf fantasy. An androgynous character with eternal youth, Lord Orlando in the Elizabethan era becomes Lady Orlando in the 18th century. Quirky blends with the eclectic and timeless in a spellbinding fragrance. Irrational dreams, an eastern monarchy and a sense of the divine linger in its wake.
Announcing his availability through the language of
camellia that she wears on her neckline, this cocotte is
seduced musicians and writers among others.
Immortalized by literature, her dazzling destiny leaves the memory of one of the most beautiful women in Paris.
The new ager explores a new religiosity that appeared in the 20th century.
A spirituality centered on the “mystical self” and inspired by different influences.
This quest reveals a cosmic patchouli with jasmine and incensed essences of a divine nature.
Here at 20 RUE JACOB, hides a secret place in the heart of St Germain des Prés.
American Natalie Clifford Barney's literary salon is named after
"Temple of Friendship". For more than 60 years this place welcomes the finest minds in a neoclassical decor. The "Amazon" show will remain one of the last so influential. Jardins d´écrivains permeates the intensity of this story to compose the fragrance
of a Parisian spring.
In a case of amber patchouli, a radiant bergamot is combined with the delicate palmarosa.
Neroli, Pepper, Wormwood, Fig, Ginger, Violet, Musk, Buchu, Lavender, Narcissus, Iris, Incense, Sandalwood.
The Cocotte’s life seems to be inspired by a novel. She dedicates her existence to excess and freedom. La Belle Otero eau de parfum is an invitation to misbehave : licentious pepper, illicit absinthe, covetous violet and concupiscent sandalwood. Its evolution leaves a certain delectation on the skin.