Reference:
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
25 cm high
21 cm diameter
single piece
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
A magical and surreal perfume with the chroma color of time, sprinkled with flour. Beneath a suave and animal skin reveals a phosphorescent heart. Supernatural elements exhales a kind of an anchronistic and enchanting tale.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Nathalie Sonnet, ceramist
After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work.
Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.
Epicurus (342 BC JC-270 BC), Greek philosopher.
The garden is the philosophical school open to men, women and slaves founded by Epicurus. A minimalist perfume with notes of licorice macerated with apothecary plants.
Rosewood, Bergamot, Litchee, Belle de nuit, Ylang Ylang, Rose, cotton flower, lichen.
Like a fierce hetaira, she stands out in a sort of lupanar that turned out to become the opera of Paris. Melle Cléo eau de parfum is a sort of olfactory choreography with unpredictable variations : Botticellian rosewood, night blooming cereus worthy of Asparas and cotton-flower for the most angelic Cocotte.
In the freshness of a Mudéjar patio appears the memory of a Sevillian poet embodying the golden age.
A scent of green oranges and mint gracefully wafts through the air.
The rustling of the musky sour orange leaves augurs a radiant and distinguished Andalusian spirit.
Citron, Mugwort, Copahu, Liquorice, Patchouli, Cade, Ambergris, Myrrh, Styrax.
This almost vampiric nocturnal creature emerges on the social scene where she brings a scent of novelty. By candlelight, La Castiglione eau de parfum evokes a lusty, sooty commotion. bewitching patchouli, libidinous copaïba, elegant cade and caressing ambergris.
A fragrance with a dark vapour trail.
Harmony, classicism and style are the values Cléo de Merode acquired at the Paris opera. But her controlled appearance conceals a more ambiguous nature. Like a fierce hetaira, she stands out in a sort of brothel that has become the foyer of the ballet school.
She was considered the world’s most beautiful woman in 1896. An absolute star, she captured her contemporarie's imagination.
Christopher Marlowe is the genius bad boy of the Elizabethan theatre. Handsome, alcoholic, gay, occultist and spy.
A dense, heady, animal and theatrical fragrance. From the first notes, the poisonous nectar of tuberose mingles with the opulence of osmanthus. The old-fashioned heart of dried flowers evokes a tragic poetry. The base reveals notes of chypre and powdery leather.
William Burroughs is considered the most
and the most daring of the authors of the
«Beat Generation». Junky describes his extreme experiences and inspires an addictive fragrance. The fragrance has the power of awaken the senses and it is a precise mechanism that operates in a freshness of cannabis and precious wood.
Magical plants and occult botany give birth to a spagyric perfume.
Witch flowers make a pact with opium in the heart of incense swirls.
FLORE OCCULTE is an all-over spray for the body but also to create an atmosphere around you.
Spray 8.45fl.oz
Nothing could be more picaresque than the life of “La Belle Otero”, singing, dancing, jumping on a table ! The beautiful gypsy has an insatiable nature. The queen of elegance frequented kings from Paris to Monte Carlo. She was the most ruthless courtesan of the Belle Époque. She devoted her life to dancing, men, precious stones, gambling and above all freedom.
The new ager explores a new religiosity that appeared in the 20th century.
A spirituality centered on the “mystical self” and inspired by different influences.
This quest reveals a cosmic patchouli with jasmine and incensed essences of a divine nature.
Jardins d’Ecrivains puts its own interpretation on the fascinating Virginia Woolf fantasy. An androgynous character with eternal youth, Lord Orlando in the Elizabethan era becomes Lady Orlando in the 18th century. Quirky blends with the eclectic and timeless in a spellbinding fragrance. Irrational dreams, an eastern monarchy and a sense of the divine linger in its wake.
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
L’EAU D’EPINE (Thorn water) is a flayed perfume.
A pungent caress alternating the ferocity of rosebush thorns and the smoothness of amber balm.
The symbolism of a wild nature apprehended by humans in search of virtues.
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