Paysages approximatifs, Séville

Medal:

Diameter: 2.5cm

Weight: 11,02 g

Ribbon 70cm

Nathalie Sonnet, ceramist

After studying history, I joined the Louvre Museum at the end of the 80’s, then in full mutation. My gaze is particularly focused on ceramics, perhaps because here one perceives the hand shaping matter. I then resume studies of art history and, from eye to hand, other apprenticeships, which gradually and durably attach me to this material, clay. In 2005 I set up a workshop in Normandy, where color and light nourish my work. 

Since then, following a path of research in forms, colors, textures, the body is increasingly involved in gesture and develops proximity and intimacy with matter.

Adjustable choker

40 to 46cm

Natural amazonite stones

Christopher Marlowe is the genius bad boy of the Elizabethan theatre. Handsome, alcoholic, gay, occultist and spy.

A dense, heady, animal and theatrical fragrance. From the first notes, the poisonous nectar of tuberose mingles with the opulence of osmanthus. The old-fashioned heart of dried flowers evokes a tragic poetry. The base reveals notes of chypre and powdery leather.

Adjustable choker

38 to 44cm

Natural rhodonic stones

The SNOBBISH candle praises noble materials by dressing in calamine-colored vegetable tanned leather and revealing an ultra delicate fragrance.

The freshness of bergamot mingles with the floral notes of iris.

Once the candle is used up, the leather-trimmed glass becomes an object such as a cache pot, a cosmetic jar or a pencil holder, depending on your inspiration;)

100% vegetable soy wax, 285G.

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

George Sand was the most modern woman of the romantic age. Jardins D’Écrivains based its first fragrance, GEORGE, on her extraordinary life. An intense olfactory signature announces the marriage between spellbinding notes cypress notes foreshadow a dazzling temperament.

Jardins d'écrivains embodies the spirit of "La Pléiade" with a line of perfumes in their vegetable-tanned leather cases.

In the freshness of a Mudéjar patio appears the memory of a Sevillian poet embodying the golden age.

A scent of green oranges and mint gracefully wafts through the air.

The rustling of the musky sour orange leaves augurs a radiant and distinguished Andalusian spirit.

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

The Manor exudes a cosy atmosphere with Anglo-Norman charm.

A smoking Earl Grey mingles with the fireplace on an antique rose background. 

Fred Fou, Photographer.

Like an alchemist, I intervene in photography mainly with simple materials (scotches, papers, inks, pencils, pastels, pens, paints, liquid bitumen…).

I push to the limit of support each draw, pushing all established rules. Immersed in ink baths, each impression gives itself at random a controlled metamorphosis. Next comes sequencing, marks and traces on photography, painting, assemblages, collages.

This setting creates two spaces that provoke and lead the gaze of a «Before» towards a «Elsewhere».   

The series «Approximative Landscapes» asks about the processes of exploration and appearance of the image. 

Around this representation, it is my own interior landscape as poetic and visual layers that appears on the surface. The art of telling with light what is mysterious and intimate, secretly deep and enclosed in the shadows.

To venture, to create a landscape for light, to redo the route of the day, from one bank to the other, to print sound...

Harmony, classicism and style are the values Cléo de Merode acquired at the Paris opera. But her controlled appearance conceals a more ambiguous nature. Like a fierce hetaira, she stands out in a sort of brothel that has become the foyer of the ballet school.
She was considered the world’s most beautiful woman in 1896. An absolute star, she captured her contemporarie's imagination.

Chapel Factory celebrates the spirit of Christmas with its new FULL EPICEA candle.

A no-frills fragrance to pay homage to the majestic allure of the large mountain fir, in an authentic version.

100% vegetable soy wax, 250G.